Sofi De La Torre What People Do Cover Art
#PopDoneRight
— —
Canarian Sofi de la Torre, rising cocky-made artist hashtagging her music equally #POPDONERIGHT, released her debut anthology on 19th May 2017 titled Another. Non me. I'm Done . The record takes on themes similar to her previous ii EPs, transforming, however, into a more in-depth study of wealth, conceit, intimacy, vanity and love. Tracks released earlier as singles (the Blackbear feature, "Flex Your Way Out" or "$") come with fresher, unheard music.
$
Her nine-vocal record kicks off with the low-fi, laid-dorsum song aptly titled '$'. Her first lyric "Fuck ya money, I don't care about information technology," sets the indifferent, almost condescending tone for the track. Picking on a pervasive theme of hers i.eastward. wealth, Sofi draws us in through a sharp critique of said affluence, slipping into a gauzy chorus, richly layered and produced, allowing her vox to seem ethereal, other-wordly.
Presumably dealing with the arrogance that often comes with affluence, she repeats that she'southward seen these kind of people ('you lot') past the "dozens". "Leather inside individual plane, at least it'south comfy, at to the lowest degree information technology's comfy" is one credible consolation that she guesses at and "Go head boy, sip that bubbly with your pancakes," is the ending mockery that she offers, a glazed taunt to the unoriginal, conceited opulence that she is criticizing here, one that can only give 'comfort' and aught more. The lingering finish to the song only adds to it'due south memorability.
Views of You lot
Featuring rapper Taylor Bennett, de la Torre continues along the lines of dreamy and other-worldly, the constant switch between tempo but calculation to the song'due south intrigue. Bennett lends to the chorus but his true element is the mellow span– while his vox seems to cut in abruptly, he adds a roughened edge to her atmospheric track and strengthens the complex composition of footstep that switches drastically throughout the song.
Her hazy voice has a mournful undertone, a sort of hopelessness that is best captured by the lyric: "I don't know when I'll stop loving yous till there'due south no me." In her verses, we get a sense of her conflict, her inability to movement on and her willingness to forgive anything ("I'm not even mad y'all came wearing her,"), a reflection of her deeply troubling human relationship with him. The track continues in the aforementioned ethereal fashion as the first i, differing in it's stuttering stride and is simply written, managing still to trouble us just every bit much as Sofi, best seen in her most masochistic lyric,
Cause views of you, views of you is all I want
Breathe them into my lungs
Until they tear me apart
Quondam Yous
Quite possibly one of the most catchy songs off the tape, Sofi starts strong with minimal instrumentals, choosing instead to emphasize the dragging beat out and her voice. It only makes sense that as Sofi heads on to a more than empowered route, that the song should correspondingly pick up. The party-vibe chorus swarms in, a layer of pitched melodies, drawing a stark contrast with the preceding verses, warning him that "No, I ain't tryna love you if you are the old you lot, yep,".
The mood here remains pensive, simply has shifted away from previous hopelessness. Here, Sofi sounds like she knows what she wants, that she'south ready to gear up what they have and expect forward if he's changed. This is the song of second chances, of possibilities, of freedom. While at that place's but the barest glimpse of uncertainty in the pre-chorus, ("I don't know, I don't know") she's given him a striking ultimatum. A long-drive song, a swaying-dance track; incredibly catchy and empowering, on 'Erstwhile You' Sofi de la Torre proves that she really can be #PopDoneRight.
Nike Grey
Giving 'Old You' a run for information technology's coin, Nike Grey makes for potent competition in terms of how tricky it is, how hands it'll have you swaying to information technology'southward strangely addictive chorus. While displaying no superior sort of writing, Nike Grey boasts an amalgam of guitar strumming and a rising and falling crush, characteristic of de la Torre's work. This songs follows in the lead of 'Old You' and previous songs like 'What People Do' and 'Requite Up at two', it falls short lyrically. Money, dimes and Gucci are made mentions of, but left at the surface.
However, Nike Grey is certainly a song that stands out, not for it'southward writing, but for it's memorable production that allows for it to exist an enjoyable listen if you're non looking for something likewise meaningful.
D.M.I.T.
D.G.I.T has a very hip and beachy vibe, delving into the unlabelled and uncertain space between ii people, insisting on the importance of timing ("But that was the timing, I wasn't ready for you lot yet") and exploring the possible idea of giving in to ane's feelings, of giving up i's defenses. In her very, very mellow chorus, she repeats "Don't get twisted,", telling him that "You are the all-time thing I've ever kissed and y'all are the beginning thing I knew I missed ya". Here, Sofi is realizing something, is agreement herself better.
Self critical in her verses where she calls herself "light-headed", "clingy" or "needy", she finds reconciliation in the bridge where she says that she'll permit him through. Musically, D.G.I.T is smooth listening, layered with a tropical beat and lovely chord progression, dizzyingly compelling as it springs to being one of the best songs off the anthology, a peppy testament to Sofi'south ability to create pop tracks to take on repeat.
3 is the New 2
The least impressive song off the record, 3 is the New 2 attempts to do something new but only falls through under the weight of it'southward own expectation. Musically, it strikes no chord and lyrically, information technology carries picayune power. It'south quite certainly the let-down of the album.
Cocktails and Emotions
Cocktails and Emotions packs plenty of acidic punch in both it'south music and information technology'south lyrics– the hook has some very noticeable and pleasing bass that simply serves to highlight Sofi'southward voice. The underlying tone of destruction lingers throughout the runway, even as Sofi professes indifference; "It's non on me to modify ya" . The nearly striking lyrics come right upwardly before the pre-chorus, when Sofi sings,
Mix some excess with an ex, that'due south one hell of a potion
Stir it up with some sex activity, that's cocktails of emotion
Yes with an ex, that's one hell of a potion
Uh, and some sex that's cocktails of emotion
All there is is the cocktails, the sexual practice, the emotions, a curious mix of things that doesn't seem to irk Sofi at all– she seems distanced from itl, as she says "Do what y'all want, baby, practise what you lot desire," and puts her faith in a unproblematic fact, "I am the daughter you wanna come up back to,". The bridge just digs into the effect deeper, revealing information technology to be more and more than troubling as she sings near grinning at the camera, well-nigh drinks getting her fired up. She'southward relinquished all responsibility, she knows he'll come back and maybe it's been happening and then often that she can't bring herself to intendance about it. Cocktails and Emotions is a curious exposition of a problematic, a troubling narrative that is put together without too many emotions, possibly with more cocktails.
After all, it's "push and pull all day," and boy, practise we enjoy listening to information technology.
Flex Your Way Out
Flex Your Way Out does non feature enough of Blackbear and that leaves the song sorely lacking. This vocal, nonetheless, fits perfectly as one of the closing tracks– Sofi'southward album championship itself comes from hither. "Go ahead and play with another – not me, I'm done," is how she kicks the chorus off, the culmination of her growth and struggle. This is a rails of closure, of trusting oneself and that's a sentiment that many of us will exist familiar with. Information technology has a sense of certitude to it.
The emphasis remains on Sofi's vocalization, the muted instruments only peaking in the chorus when layers emerge. Blackbear's poetry is the perfect mix of his own style and Sofi'due south, his vocals alternating between the two. The only regret is that is his characteristic isn't longer– he only haunts the background in the form of echos equally Sofi takes over the song once more. Perhaps Blackbear'due south feature raises the bar for expectations but 'Flex Your Mode Out' feels like there's something missing, something absent and therefore holding it back from #PopDoneRight.
"Flex your mode outta here," is certainly- and quite amusingly- a chorus lyric that nobody will exist forgetting any time soon.
U Can't Do Like shooting fish in a barrel (demo 001)
Another let-downwards, U Can't Do Easy's only redeeming factor is the wording of certain lines in Sofi's verses. Other than that, it seems like a flake of a mess. Her "Swear to God" in the third claw had to exist muted considering it was that painful to the ear. While the vocal surveys one of Sofi's favourite themes, adultery, it offers piddling to us in terms of new music or lyric. The vast majority of the rails and it'south composition create simply confusion and make the listener wonder why this would exist made the final runway of the album, when 'Flex Your Way Out' had all the elements of an ending. U Tin can't Do Easy does not sit down well with Sofi's retinue of #PopDoneRight and instead, takes away from the rich, layered gossamer of her album.
Another. Not Me. I'chiliad Done. is Sofi de la Torre's 3rd collection of tracks and her very first anthology. Despite two of 3 tracks that fall curt of the #PopDoneRight make that has congenital Sofi, her anthology only strengthens her position in the music industry equally an up and coming artist. Unafraid of being critical of both herself and the things effectually her, Sofi manages to create some massively peppy tracks without relinquishing depth and meaning. While it is non without information technology's faults and disappointments, Another. Not Me. I'm Done. just adds to Sofi'south clever restructuring of the 'pop' genre in our e'er-changing world of music. Overall, she #GetsItRight and makes more only a few splashes. From the looks of it, it may exist non entirely exist smooth-sailing from here on out but she's nevertheless adrift and she'due south not going anywhere any time soon.
It's going to be very, very interesting to run across what she has lined up for us next.
— —
:: stream/purchase Sofi De la Torre here ::
— — — —
Connect to Sofi de la Torre on
Facebook, Twitter, Instagram
Notice new music on Atwood Magazine
:: Heed to Sofi de la Torre ::
arbucklepironerts.blogspot.com
Source: https://atwoodmagazine.com/another-not-me-sofi-de-la-torre-revew/
0 Response to "Sofi De La Torre What People Do Cover Art"
Post a Comment